Thirty years ago as I was trying to get a significant break into the editorial market, I would visit New York a couple of times a year and schlep my portfolio around from one magazine to the next. Knowing that I was one in a million photographers rapping on the picture editors’ doors each week, I figured I needed to do something to keep myself as close to top of mind as possible.
At the time, I was hard pressed to afford more than two trips a year, but I knew I had persistence, a telephone, and the postal system at my disposal. So I used them.
I picked a small number of picture editors that I particularly wanted to work with, and every month or two I sent a post card or left a phone message reminding them that I was interested in the opportunity to work with them.
Although it took a few years, I eventually developed a working relationship with most of the editors on my list. I remember one in particular saying when she phoned to assign me a story: “I bet you’re thinking, ‘I thought she’d never call me!’, but I did call because of your tenacity.” I nearly dropped the phone.
The lesson stuck with me.
It doesn’t seam like such a big idea. But the power of consistent, gentle follow up to let someone know you’re interested in working together can have a powerful impact.
Charles