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Charles Gupton

Charles Gupton

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Is Good, Enough?

 

                                              “How we spend our days is how we spend our lives.”                                                                                                                  ~ Annie Dillard

Surely, you’ve experienced it.

As you’re working out the details for a pending project — or maybe while you’re in the middle of a vexing complication — your client comes to the conclusion that maybe the problem is the bar Is just set too high.

“Maybe we should just settle for something more realistic.”

“I’m not sure we’re going to have the budget to make this baby a prize-winner. Maybe on the next one.”

“Sometimes good enough really is, don’t you think?”

When I ask, “What do you want to eliminate and still keep the outcome acceptable?”, the response is usually a reflection of the decision maker’s fears or lack of commitment to excellence rather than the actual constraints of the situation. Seldom do the extra resources required to make a project stand out really cost significantly more in terms of budget or effort.

Will settling for ‘Good Enough’ be good enough to build your life on?

The more deeply I become aware of the impact of self-protection issues in the workplace, the more I realize that many people, even those in seemingly high positions in organizations, are often afraid of excellence. They don’t want their work to stand out in a way that raises the bar because their next project may be compared to what they’ve done and new expectations set.

Are there ever times when “good enough” is? Sure!

But I believe making that decision in the planning stage of the project – based on the desired impact – is the right choice, not as a rationalization or an excuse for lack of commitment in the middle of the process.

As the opening quote by Annie Dillard suggests, when you spend your life – day after day after yet another tedious day – settling for good enough, you may one day find out that it wasn’t. 

Charles

 

 

 

Power of Following Up

Thirty years ago as I was trying to get a significant break into the editorial market, I would visit New York a couple of times a year and schlep my portfolio around from one magazine to the next. Knowing that I was one in a million photographers rapping on the picture editors’ doors each week, I figured I needed to do something to keep myself as close to top of mind as possible.

At the time, I was hard pressed  to afford more than two trips a year, but I knew I had persistence, a telephone, and the postal system at my disposal. So I used them.

I picked a small number of picture editors that I particularly wanted to work with, and every month or two I sent a post card or left a phone message reminding them that I was interested in the opportunity to work with them.

Although it took a few years, I eventually developed a working relationship with most of the editors on my list. I remember one in particular saying when she phoned to assign me a story: “I bet you’re thinking, ‘I thought she’d never call me!’, but I did call because of your tenacity.” I nearly dropped the phone.

The lesson stuck with me.

It doesn’t seam like such a big idea. But the power of consistent, gentle follow up to let someone know you’re interested in working together can have a powerful impact.

Charles 

What Distinctives Make You Distinctive?

A number of years back, I ventured into the area of personal portrait work. I wanted to apply the storytelling approach I took with commercial assignments to the world of family portraits. My venture was not the raging success I wanted, partly because most folks couldn’t picture themselves doing something that wasn’t just like what their friends were doing.

To dig into the story of a family, I would ask a number of questions to give me insights into how we could capture a portrait that was distinctive to them. Although the answers that were most revealing led to better portraits, many people could not come up with anything distinctive about themselves or what their purpose was.

In one particularly alarming case, a mother came back to me several days after our meeting. She was angry that, “There are no activities that bind our family together because we’re four people living in separate worlds all wanting to go our separate ways!” Initially, her wrath was directed towards me for asking the questions that revealed an unsettling truth. But a couple of weeks later she called, grateful to have finally addressed an issue that was leading to a divorce.

What is even more unsettling is the number of business owners that I talk with who don’t know their distinctive purpose or reason for being either. Rather than dig into the uncomfortable process of discovering their story, they simply ignore the process and go about their business using the standard operating procedures that everyone else in their field is using. Yielding to peer pressure to be like, and look like, everyone else.

Most people are looking for a new set of tools, or life-hacks, that are going to give them an edge. But any improvements that are based on technology or a formula are also available to their competition.

The only distinctive that sets you apart is your unique story. Your history, world-view, and vision. Telling that story to the world allows your potential clients, employees, and partners to connect with you in a way that they never can with anyone else.

It’s your distinctive story that moves you from being a commodity in your market to being a competition of one.

Charles

 

Transparency in Story

For most of my career, I’ve focused most of my attention on telling the stories, through photographs, that my clients have asked me to tell. Whether it was a concept for an ad or portrait of a CEO, I took the message that was being presented and tried to translate it visually to accompany the text that surrounded it.

While that was certainly a valid — and for years, profitable — approach, I believe the culture of transparency we work in is requiring a different approach. It seems that everywhere I turn, I see the word “authentic” being used. It’s as if using the word in communications makes the communication itself more “authentic.”

Increasingly, after hearing the message my clients want to project, I’m asking about the message their clients already own about them. After all, branding is not the message we’re broadcasting, but the message that others already share about us. Authenticity comes from the perception people have, not from the perceptions we tell them to have.

What does surprise me is how unaware most people are of how they personally and their businesses are perceived by others. Awareness of self and others is what leads to authenticity. Lack of awareness of what is truly is a denial of reality.

The place I’m trying to lead my clients to — and the place I always want to be as well — is one of authentic transparency. From there, we spend less time and fewer resources convincing people of what we want them to believe and more of our energy creating the value those people want to experience.

What do you think?

Charles

Endless Re-Entry

I kind of followed my own advice from my previous blog post when I decided to shut up and do my work. I decided to drop away from most meetings that were not assignment related and almost all extracurricular activities including most social media outlets or any web surfing to get several projects completed.

The primary project has been to get all of my branding materials including website, business cards, documents, emailers, etc. to have one consistent look. No three elements of my materials were consistent in either content or design with each other.

It is amazing to me how few of the businesses that are in the business of working with companies on branding materials have their own materials in order. I’ve been just as guilty, and needed to get my house in order.

Unfortunately, the only way I know to get anything which requires extreme focus done, is to drop away from everything that is not urgent, even if it is important. Because I’ve made a commitment to get the MindFire newsletter out twice each month, I focused particular attention on getting that written and shipped. And of course, there are those assignments which actually keeps the mortgage paid and the power on, not to mention groceries in the cupboards.

But virtually every social and business engagement that is not urgent on any given day got cut. That means having hurt some feelings of people who are important but don’t have urgent needs to respond to. But, of course, when someone thinks their matter is important, it becomes urgent to them. Thus, some singed emotions.

I have been trying for some time to stay slightly engaged on all fronts without any noticeable slippage. But what slips is not seen on the stage necessarily, it’s behind the curtain of life. Most of it comes in the form of diminished mental and physical health when we never let down on our outside appearance of being “on.” The other areas that get a hit are those that require a lot of focused attention such as writing or creating a new vision.

What I’m having to come to accept is that, as an introvert at heart, I need time away from engagement with people to regain energy and focus. I also need my own permission to exit and take this time away. When I do re-enter, I’m always charged up with renewed energy and excitement because some of the pressure to get important stuff done is relieved and I have attention to share with people again. It’s a very good thing. But, as much as I get tired of explaining that to others, I get even more tired of having to explain it to myself.

Charles

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